I.
Dubai is a city designed by, for better or for worse, money hungry autocrats and their architects. It is the truly modern city; the first city of the 21st Century. The buildings are more important, and more amazing, than the humans who inhabit them; the ideology behind the city still more incredible than the buildings that have been built because of it, because when the money runs out and the city finally sinks back into the sea, what we will be left with is a giant metallic monument to the first ten years of the new millennium. The place is an architect’s wet dream. Giant towers in which every floor is able to revolve independently. The Atlantis Hotel with a whale shark in its swimming pool. This is the ideal of the inorganic supermodern city that exists outside of the narratives of history.
There are more computer-generated images of Dubai than there are real images, more ideas than there are applications from them, more transitory people than there are natives: a city of prospectors, developers and architectural agencies and everyone is out to make a quick dollar. Dubai doesn’t exist as anything above the ideals of the imagination and as the representation of the possibilities and failures of the condition of supermodernity.




